Heritage and youth Cocteau grew up in Paris and always considered himself Parisian by speech, education, ideas, and habits. His family was of the solid Parisian bourgeoisie—cultivated, wealthy, and interested in music, paintingand literature. Cocteau was the product of the years immediately preceding World War Iyears of refined artistic taste that were devoid of political turmoil.
I heard her voice as if it were inside my head, Very early in my life it was too late.
It was already too late when I was eighteen. How did you get there, my friend? Or should I call you my sister, since from the beginning I discovered we shared anguishes and most certainly a great multitude of passions and dreams?
We both were introduced to this world by tortured mothers, who experienced this deep despondency about living. Sometimes it lasted, sometimes it would vanish with the dark.
That image of our mothers certainly stayed with both of us for life, my friend. But what can we do, but go on living? I glance outside, and the wind is speeding like my heart is beating, faster and faster, bum, bum, bum, as I get to know you.
But suddenly my mind gets back inside. Yes, I was also there when you met the nameless man while crossing the river going back to Saigon with a storm blowing inside the water. I have to agree with you, The crucial ambiguity of the image lies in the hat.
He was elegant, not a white man but wearing European clothes. Again I remember myself, walking hand in hand with a year-old man when I was just sixteen.
But while I had two fine sisters, you had two wild brothers that would never do anything. Going back to your nameless young man, as you told me he got out of the limousine and is smoking an English cigarette. He slowly comes over to you. I was still a boy, at And you simply got into his car.
A barely discernible distress suddenly seized you, weariness, the light over the river dims, but only slightly. Further memories of those times we shared during one of our meetings, comes running back to me.
It is as if I was there with you, peeping into your afternoons. He says he loves you madly, says it very softly. He looked at you in horror, asked, Is that what you want? You said it is. Then you let him say it. We who are now almost old ladies, at least well into our mature years.
On top of my supposed wisdom, I wonder what is it so mysterious about being a woman. As a matter of fact, I often asked myself that before meeting my first lover at sixteen. Yes, I was some months older than you.
Not that it would have made any difference if I could envision what and where that would lead me to. As you said some women just wait, they dress just for the sake of dressing.
They look at themselves, dream of romance. Some of them go mad. You can hear the word hit them, hear the sound of the blow. But that was never us; please tell me so. But why could we expect to be different? Did you ever think you might have known, but forgot to tell me?
Suddenly inspiration hits me, and I know how we saved ourselves despite our mothers. Do you still remember what you said, some time ago?
I think you might have forgotten, let me remind you: You told me how it all started, I want to write. No answer the first time.Things Fall Apart and The Lover Essay - In his novel Things Fall Apart, Chinua Achebe responds to European colonialism.
He portrays the struggle between convention and conversion in addition to struggle between race and colonial power. In this paper we are going to analyze, to try to look deeper or even may be to feel the main ideas, concerns, themes of the famous novel of Marguerite Duras.
Rooms. The rooms and suites at the Hotel les Dames du Pantheon offer a voyage of discovery of some famous women and their era. The colourful design and subtle mix of refined fabrics, materials and objects evoke a moment in the life of each woman, a work of art they produced or their free-thinking spirit.
The Lover is an autobiographical novel by Marguerite Duras, published in by Les Éditions de Minuit. It has been translated to 43 languages and was awarded the Prix Goncourt. It was adapted to film in as The Lover. Films where the erotic/romantic/sexual tension between people fills the majority of the plot.
The eroticism can be done to arouse the audience or to shock them with its explicitness. Marguerite Duras was one of the group mainly published by Éditions de Minuit who became known as nouveau roman writers.
As a result, till the more conventional L’Amant (The Lover) was published in (later made into a successful film), she was not particularly commercially successful, though she had had a long career, both as a .